When done is not, the revised revision makes its debut. Before sending the new canvasses to the gallery, I’m finalizing titles, playing with the words accompanying the paintings, and signing off. Seal of approval and the figurative boot out the door. However, every now and again, even after the flourish of signing and dating a painting, something catches my eye . . . a slightly out-of-place line, a discord where I once saw perfect harmony . . . and I can’t resist. Now I wish I could say, every adjusted outcome has been a total success, blue ribbon and all that, but . . . no. And as I walk out of the studio toward the sink to wash my hands of the remnants, I mumble . . . “it could have been a nice painting”. After, I’ll strip the pigment laden fabric from this frame, toss it aside, and as I stretch new virgin canvas across the structure, a small smile crosses my lips . . . ” That was interesting, lets have another go”. I don’t mind when a painting heads south, for even after 30 plus years of throwing paint around, it lets me know I’m not as smart or clever as I think I am, and I wouldn’t have it any other way, but here the rule rather than the exception, when done is not and the revised revision shines.
The SRAM pART project for World Bicycle Relief is full on. The participating artists are an impressive group, and I’m excited to be counted in their number. The SRAM pART Project website has profiles of all the artists, including links to their websites, and photos of all the pART project sculptures will be up on the site by the middle of September. All the pART sculptures will be auctioned off to support World Bicycle Relief. I’ll post the how & when as soon as I know the particulars.
What’s in play this week? I’m having a thing for resonance . . . Maya Beiser and her cello. Doesn’t hurt she does a lovely cover of Kashmir, and her playing makes my toes tingle . . .
Thanks for reading